1. Jim's Rickenbacker Model
730S "Shiloh" was a factory second bought through a special program for
a now defunct organization which shall remain anonymous.
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![]() 2. Notice the abnormal bridge pin slots designed to apply the same string pressure on the saddle for all six strings. This creates better string balance, even string energy and an equal dynamic force of vibrational energy through the guitar top. |
3. Jim senses the vibrations as Gary demonstrates the string output balance obtained by the compensated bride pin placement. |
4. The above is a scribble used in our discussion about frequency transfer through neck joints of various design. |
5. Doug's effort to make a better neck thru the body Jackson style electric guitar is coming along quite nicely. |
6. His neck non joint angle is attained by adding a piece to the back of the body portion of the necks through design. |
![]() 7. Steve's Mahogany neck back with maple fingerboard has raised some eyebrows but this combination of woods has been used on Gibson guitar bodies since the fifties. |
![]() 8. This picture demonstrates the problem of to much truss rod depth. if the fingerboard was glues on now the rod would rattle. |
9. We spent some time rapping about the various tonal possibilities to be gained by using different exotic woods. Then we spent some time rapping on the woods and listening to the the large variations of resonant frequencies. |
![]() 10. Gary decided to rap on John for a final test. Jonathan resonates at a type "A" personality. |