Well, it was a great meeting and fun for all at the first
gathering of the Southern California Association of Luthiers.
Although
the week presented a shakey start because our site went down at the server
and the main hard drive
collapsed with the member data encoding. Rudy,
our webmaster has been able to restore all data and we should
be able to
post online registration by the end of this week. Despite all these problems
we still had a good showing
t our first meeting. Some people came from
as far as Pasadena and a few people had a little trouble finding
Mercy
Music. But eventually everybody showed up, even if a little late. Gary,
our President pro temp was
able to clue them in quickly and move the
meeting forward with a minimum of disruption.
![]() Not just pretty to look at but also pretty to play with. Gary was restringing this for the meeting. Gary’s original Ruby Prototype. circa 1991. |
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“The Man” Eric Hartman, Owner of Mercy Music, also
a builder in his own right. |
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![]() The lone guitarist. Tom plays the Ruby beast before the meeting. |
| Before the meeting, still testing those rubies… | |
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| Tom D. Johnson, a repairman
in Orange County, brought a regiment of questions about proper guitar setup
methods and so after about 15 minutes of the what, how, why and when of the Southern California Association of Luthiers organization, we were off and running with guitar geometry, break angles, and witness points. |
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| Time for some preliminary facts while we waited for a few more to arrive. | |
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![]() Joey contemplates the lecture on guitar geometry. At least he doesn’t look bored! |
| Tom fills out a membership info form. It’s a dirty job but somebody has to do it. |
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Gary's lecture also explained what optimal
angles
should be and how string energy could be lost at crucial points on the vibrational path. |
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![]() Proper neck bow adjustment was discussed as well as tail piece height and tuner angles. It was discovered that to make a better head stock would require a very weird shape. |
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Many additional points were discussed pertaining to axial
and radial displacement modes, saddle shape, tuneomatic saddles, break angle created by tuner posts, and magnetic pickup strength, as it pertains to effecting the strings uniform vibrations. |
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![]() “Hey Mo, Paul’s trying to think but nothing’s happening!” |
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Gretch did some weird stuff. Gary is having a problem with understanding why there was an additional cut behind the body joint and why the truss rod was not adjustable. Need more research on this one. |
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Paul did some of, from what I
understand to be, his usual heckling, but this time Gary beats Paul to the punch line! It was all in good fun. Erickson Design Associates is the outfit that makes and markets Gary’s new guitar parts. Gary brought a few instruments in with his parts on them. Because he was talking about the witness points, nuts, and bridges, Gary showed off his new patented ruby and sapphire embedded bridges. They are marketed under the name Theory “Z” Components. |
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![]() Eric changes the bridge on the Hammer to one of the Theory “Z” Sapphire ZX Tuneomatic |
| George shows his Melody Maker with the Sapphire bridge
saddles. They really worked well. I never heard an acoustic guitar have so much sustain and resonance. He showed them to Eric Hartman, the owner of Mercy Music. |
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Eric took a few minutes, before the
meeting, to replace a standard tuneomatic on one of his store’s Hamer Archtops, |
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| It Really Works! | “Gotta love that sustain” |
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![]() Tom seemed to like the rubies on the acoustic bridge. The balance, punch and volume were impressive. |
| Paul’s smirk says it all. He said he could not believe
such a simple change could make such a huge difference in sound. It made this hammer really sweet. |
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Next Joi Yui of LA Guitar Works, showed us some He comes from the early Schecter Company |
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![]() Gary said this would definitely be his next pickguard for his custom black strat. |
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Nice Pickguards. Now I don’t have to do all that inlay! |
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| George was amazed and excited about the new the Q-Part Knobs Joey brought! |
The SCALe members were impressed with the quality and variety. |
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Gary went a little “Roger Rabbit” on
us after seeing the Abalone inlaid Knobs. I wonder if, he is really the toon with the crazy eyes? |
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| Tom Vicson then asked about his Burn’s Steer Guitar. He wanted to know if there was a fix for the sharp break angle at the nut to the low “E” tuner. |
Tom’s main guitar is a Burn’s Steer.This is a prettycool guitar but the strings have to steep of a break angle on the low and hi “E” strings. The difference in the angles give an uneven output between strings and the hi “E” can eel very stiff compared to the “b” string when bending. |
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| The Steer was originally
developed in 1979, and only 40 were made. It was endorsed by international
artist, Billy Bragg, and it is reported to still be his favorite guitar today. This guitar has a unique construction, a solid Alder body routed out on both sides of the pickup cavity to lighten guitar, creating a more airy and earthy sound. It is has a solid top, which is fitted with a Burns split humbucker pickup at the bridge and a single coil rhythm pickup at the neck. The humbucker is fitted with a series-split-parallel switch. With this pickup configuration, and the body acoustic chambers, the Steer becomes a unique, multiple personality guitar. At the flip of a switch the Steer transforms from a melodic rhythm guitar into a punchy blues guitar, a moody jazz guitar, or even a twangy country-picking guitar. Eric’s store carries the reissues in stock. |
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| We learned
there are some ways to adjust the tuner post height to accommodate lack of
angle or to sharp of an angle. Sperzel tuners were mentioned as selling different height sized posts.
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![]() Sometimes, even one mans garbage can become useful treasure. |
Finally, Gary showed us a cool trick for repairing acoustic tops with weak braces. If you want to know about this one you will have to attend the next meeting. We used all of out allotted time for the room and then some. We had to vacate the room pretty fast because another organization rented the room for their meeting. Everyone pitched in and made quick work of the cleanup. At our next meeting we are planning to pull apart a ew of Gary’s old instruments and see what makes them tick. Proper top removal and bracing structures as well as tricks for clamping and repairing warped tops will be discussed and demonstrated. ![]() Gary's persuasion tool for stubborn top removal... |
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Please remember to bring any
problematic instruments you have to the meetings, so all the members may
gain experience from each repair solution. Thanks once again for attending. If you were one of the people that missed the meeting, all I can say is, you should have seen the one that got away. No fish stories, just the facts. Hope to see you next time, MB - SCALe Archival staff |
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